Setting up complex patches becomes second nature remarkably quickly. It´s quite logical though, with signal fl ow moving from left (oscillators and audio inputs) to middle (VCF mixer and envelopes) to right (VCA and global pan and level settings). If you´re new to the ARP way of laying things out, the ARP 2600V will seem confusing at first. You can stack up to a whopping 32 voices in unison mode. You´ll also find settings for poly, unison and mono mode on this unit. These can be patched to control almost any parameter, so you could patch them to open a filter to differing degrees for each key depress, or for sequentially changing the level of noise in a drone sound over time. The ARP 2600V includes an emulation of the famous and extremely rare ARP Sequencer 1601, a relatively simple affair, where you can have two separate eight-step sequences running simultaneously or in series for a larger 16-step sequence. Strangely, the usually excellent manual is a little cagey about exactly how the tracker works - trial and error wins here. We found it useful for mixing together diverse sources to make unusual evolving filter sweeps and bloops. It generates low-frequency waves of its own, but it also processes incoming control and audio signals that you can then use to modulate any control input. For example, the pitch bend signal can be routed to filter cutoff for added expression.Īnother addition to the original spec of the ARP 2600 is the Tracker, an LFO with a twist. It also allows you to route MIDI signals to any control input. It responds to mouse clicks, so you can preview sounds easily without an external keyboard. Thankfully, Arturia have included some simple starting points for your patches, which you access via the Template heading in the Bank menu. There´s no limit to the complexity of your patches beyond the rule of connecting only one modulator to one input. You can expand and modify this using virtual patch leads that appear when you click a socket. The ARP 2600V is pre-wired like a typical analogue synth, with envelopes connected to the filter cutoff and VCA level, as you would expect.
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